得分9.0
不安

不安【HD中字】

  • 差评~哈哈
  • 什么鬼?
  • 再加把油
  • 棒棒的
  • 超级(๑•̀ㅂ•́)و✧
超级(๑•̀ㅂ•́)و✧
分类:剧情片剧情:剧情导演:罗伯托·罗西里尼
年代:1954地区:其它语言:其它

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《不安》简介

      《不安》1954 年其它 地区上映的一部热门剧情片 作品,由罗伯托·罗西里尼 导演执导,英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 等明星演员参演的电影片 作品,目前更新状态为:HD中字,已经获得919位 忠实粉丝的青睐。《不安》讲述了:我这个人挺慢热的,但喜欢你这件事,属于开机即巅峰,根本没有加载过程WheneverIseeLaPauraIthinkofitasacompanionpiecetoEyesWideShut,ormaybeitistheotherwayaround.Adulterymakesbothfilmstickbutindifferentways.IthinkPhillipFrenchwasrightonthemoneywhenhepointedoutaWizardofOzthinginKubrick'slastwork.LikeDorothy,TomandNicolegothroughfantasiesandnightmaresandattheendDorothy'sreassuringchildishmottothere'snoplacelikehomeisironicallyupdatedtotheadultcircumstantialadagethere'snosexlikemaritalsex.Kubrick'stakeisintellectual,heneverleavestheworldofideastotouchtheground.Hetauntstheaudiencefirstwithaneroticmovieandthenwithathrillerandrefusestodelivereitherofthem.Hewasmarriedtohisthirdwifefor40years,untilhedied.RosselliniwasstillmarriedtoIngridBergmanwhenhedirectedLaPaura;theyhadbeenadulterousloversandtheirinfidelitywidelycriticizedLaPauraisatale,anoirishone.Thenoirintrigueissolvedandthetalehasahappyending.Thecityisnoir;thecountryistale,theterritorywherechildhoodispossible.Thetransitionisoperatedinthemostregularwaybycar,along-heldshottakenfromthefrontofthecarasitridesintotheroad,asifwewereenteringadifferentdimension.Irene(Bergman)startsthemoviewejustseeadarkcitylandscapebuthervoice-overnarrationtellsusofherangstandinformsusthatthestoryisaflashback,hers.Bergman'sbeencheatingonherhusband.Atfirstguiltisjustpsychologicaltorturebutsoonexpandsintoeconomicblackmailandthengrowsintosomethingelse.FrombeginningtoendthemoviefocusesonwhatBergmanfeels,everyothercharacteristheretomakeherfeelsomething.OnlywhenthedirectorgivesawaytheplotbeforethemaincharactercanfindoutdoeshewantustofeelsomethingBergmanstillcan't.Whenshefindsout,wehavealreadyexperiencedthewarpedmechanicsofthesituationandwemayfocusonceagainontheemotionalimpactithasonBergman'sIrene.InLaPauratreasonsarenotimaginedbutreal,nightmaresaredeliberateandthecouple'svenomsuppuratesinbitterways.Needlesstosay,IngridhasanotherofherroughridesinthemoviesbutRossellinidoesn'tdareputherawayashedidinEuropa51,nordoesheabandonhertotheinscrutableimpassivityofnature(Stromboli).HisgiftislesstranscendentandfragilethantheconclusionofViaggioinItalia.Hejustgiveshiswifeasmuchofafairytaleendingasarealwomancanhave,ahumanlandscapewhereshecanfinallyfeelathome.Backtothecountry,ahalflitinteriorscenewhereshadowssuggestthecomfortofsleep.Afterall,it'sthefairygodmotherwhospeaksthelastwordsinthemovie.

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